"Camaraderie is key."

Theatrical Experience

Theatrical Experience

My experience of the events industry began when I joined the wardrobe department of Cameron Mackintosh’s Les Miserables. I thoroughly enjoyed the working environment and I was asked to be the wardrobe supervisor for Miss Saigon.

After a few years in theatre, Michael Flatley’s Lord of the Dance was the next stop. This took me to every corner of the globe. It was in this role that I made my rock’n’roll connections, which took me into the world of music.

Music Productions

In addition to wardrobe duties, I soon started to help out in the Production Office learning the ropes. It was a fast, exciting and challenging. 

P!nk was my first big production gig, and it taught me all the intricacies to the role. I realised quickly that information was key, and I set about learning everything that crew and bands need to tour internationally; how to make smooth transitions globally by trains, planes and automobiles.

Whilst on the road, I am committed to making sure that everyone has a great tour, and that no one is left out. Camaraderie is key.

Sharing Production Skills

I get great satisfaction from sharing, mentoring and teaching the role of Production. I recognise that there’s a new generation coming through and I’m keen to help them develop. The Covid pandemic could see many experienced technicians leave the industry, which may face something of a skills gap. I want to play a part in bridging it.

Due to the pandemic and Brexit, I realise that the world of live events is going to be quite different to the one we know. I’m working on adapting myself, and my knowledge to ensure I am ready for the new ways of touring.

I am forever humble to the people who taught me the ropes on my journey to where I am now.

What Clients Say...

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Jill has always been a great balance in the production office! She’s great! We had some good times on many queen tours! I’d recommend her to anyone
Joe Sanchezeighteentwentysix
Working with Jil is a joy, she looks after us, she’s always positive and she gets stuff done. If Jil’s on the tour, you know it’s going to be a good one.
Adrian BullockBullocks Touring
Having worked with Jill for many years, It is always absolute pleasure and I can honestly say it brings a smile to my face knowing Jill in on board with any tour. Jill is true professional, her warming nature and professional approach always delivers, a real team player who cares.
Marc WebberER Productions
Best Production Coordinator in the Business

Knowledge, Efficiency and Know How = Jil Aram

Jil is on it like a car bonnet with everything your tour needs
John Lafferty Radiohead & Thom Yorke Production Manager
I have worked with Jil for well over ten years in her capacity as a Production Coordinator across many live touring projects all over the world. The work she has to undertake on the travel side of things is immensely pressurised, and ever-changing. Jil has always been calm, measured and empathic to achieve what is needed. We have always worked as a strong team to get the results for all concerned.
Trevor JohnsonTAG
I have no hesitation in highly recommending Jil to anyone who is in production in this wild and wonderful industry. Always willing to go the extra mile to make it work, reliable, easy and efficient, a pleasure to work with.
Oleg GaidarWorld Touring Artists Consulting
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